“Happy!” Christmas: Possibly the Weirdest Advent Blog EVER

[The following is a guest column by Matthew William Brake.]

This may be the weirdest Advent post ever.

Cover to HAPPY! #1Grant Morrison’s Happy! is an odd little comic (now adapted to a TV series on SyFy) about a former-cop-turned-hitman Nick Sacks who, after a particular hit, finds himself pursued by powerful people believing that he has a password belonging to a deceased (but very rich) don. After the hit at the beginning of the story, he has a heart attack and now finds himself seeing an imaginary blue unicorn named Happy. Happy is the imaginary friend of a young girl named Haley, who has been kidnapped. For some reason (we find out later it’s because Nick is the girl’s long lost father), only Nick can see Happy. Continue reading “Happy!” Christmas: Possibly the Weirdest Advent Blog EVER

When it comes to the classroom, not all comic Bibles are created equal

The Kingstone Bible
The Kingstone Bible

There are many different angles from which to consider comic book Bibles and plenty of excellent scholarship already shared on Sacred and Sequential. I don’t intend to go over this ground again but instead to consider comic Bibles from the perspective of Religious Education pedagogy; what might educators need to consider before they bring comic book Bibles into the classroom as materials for study and learning. I am not concerned therefore, with comics as tools for evangelising or as supposed miracle cures for reluctant readers. Instead I am coming from the perspective of English mainstream education where Religious Education is a legal requirement. Of course, this is a situation that is not always present in other countries but hopefully I can stir up useful questions and pedagogical judgements that should surround our classroom materials used by all students, regardless of the medium. Or encourage you to think about using comics in your classrooms, because I really think they are a fantastic, much under-appreciated resource!

Continue reading When it comes to the classroom, not all comic Bibles are created equal

Superheroes Do Hanukkah

Over at the Brooklyn Comic Shop site, owner Joshua H. Stulman shares a few candle-kindling moments from Hanukkah in comics:

In truth it is still rare to find Jewish comic characters in comics and even harder to find mainstream comic stories about Chanukah. Although I must say that both Marvel and D.C. have been pretty good about including a one page Chanukah pin up in their holiday annuals since the 1990’s.

Jack Kirby's family Hanukkah card

This does, tangentially, raise the question whether Batwoman, as portrayed by Ruby Rose on CW crossover shows FlashGreen Arrow, and Supergirl, will be overtly depicted as Jewish on television, too.

Chanukah In Comics!

Comics Academe: How To Write a Comics Dissertation

[The following piece was originally published for the Women Write About Comics website, and it is reposted here with the author’s permission.]
Couverture de l'ouvrage de Mathieu Tillet, "Dissertation sur la cause qui corrompt et noircit les grains de blé dans les épis, et sur les moyens de prévenir ces accidens," 1755. Wikimedia Commons.
Out there, somewhere, is a woman who writes about comics who wants to turn that writing to a comics dissertation or thesis, or at least I sure hope there is! The field is wide open and ready for more. For the uninitiated, a dissertation or thesis is the long essay or project that serves as the capstone for most advanced degrees (especially doctoral degrees) in the sciences and humanities. There is some degree of coursework or class-type work in most programs, but this is the project that determines whether or not you earn the degree. The nature and form of these projects has been under debate in recent years, but the actual production of some object that concludes the PhD remains a constant. The internet has worked alongside the fast-moving and collaborative nature of digital scholarship in general to jolt the usually slow-to-change academic establishment. By making wide varieties of information more available to a wider public and expanding the possibilities of collaboration, digital forms of scholarship have disturbed the idea of authority. This idea of authority is what allows some group to grant a degree to someone else. You can see why this sort of debate can be disturbing!

What I’ll talk about most here is writing about comics in a dissertation as opposed to writing a dissertation as a comic. Be warned: the minute you start pairing talk of “comics” and “dissertation” people are going to assume you’re writing a comic. For some of you, this will be a fantastic way to go. If your committee has trouble imagining your dissertation as a comic, you might point out Nick Sousanis’s recently published comics dissertation Unflattening. His process bringing the dissertation into comics form is lovingly documented all over the internet by academics and comics people alike, such as herehere, and here. Such a precedent is wonderful to present to a wary committee. If their hesitation comes from fears that you won’t be taken seriously, it’s nice to have a publication from Harvard University Press to point out. Of course, you should listen to your committee, more on them in a moment.

Continue reading Comics Academe: How To Write a Comics Dissertation

Review – Toscano and Hartmann-Dow’s The Amazing Adventures of the Afterbirth of Jesus

The Amazing Adventures of the Afterbirth of Jesus is a subversive tale by Biblical scholar and Quaker Peterson Toscano and artist Joey Hartmann-Dow. A slim volume, over twenty-nine pages it tells the story of Hagar, the placenta born alongside Jesus in the stable. Key moments in Jesus’ ministry unfold as we expect in the background while the reader is given glimpses of Hagar’s influence. Born sentient, once used, the afterbirth is ignored and rejected and she consciously names herself Hagar, after a fellow rejected woman of the Old Testament. She follows Jesus carefully and is desperate for acknowledgement and inclusion. It is through her attention-seeking pranks that Jesus’ ministry develops. She causes coins to go missing in the home of a widow, sheep to escape their pen, wedding wine to be spilt, blindness and leprosy to afflict those who flock to Jesus and ultimately, the death of Lazarus. However, cleaning up her mess is not enough and it is only through eventually welcoming her back into his life can Jesus complete his purpose on Earth.

Toscana is a regular at the UK-based Greenbelt Festival speaking on the hidden LGBTQ+ voices of the Bible and it was here that I heard him mention Afterbirth. How could a comics scholar miss an opportunity to pick up a copy? Continue reading Review – Toscano and Hartmann-Dow’s The Amazing Adventures of the Afterbirth of Jesus

@ the intersection of religion and comics: Graphic Religion