Tag Archives: theology

CFP – Religion and Comics Series

Call for Papers:
Religion and Comics, A New Book Series from Claremont Press, Claremont School of Theology

The new Claremont Press Religion and Comics series is pleased to welcome submissions for book proposals. This interreligious and ecumenical series is looking for volumes covering multiple topics related to the intersection of religion and comics, including, but
not limited to the following:

  • Representations of Christian Fundamentalism in Comics
  • Eschatology and Comics
  • Magic and Comics
  • Religion in the Comics of Grant Morrison
  • Religion in the Comics of Alan Moore
  • Religion in the Comics of Neil Gaiman
  • Religion in the Comics of G. Willow Wilson
  • Religion in Image Comics
  • Religion in Locke  & Key
  • Religion and Hellboy
  • Depictions of the Afterlife in Comics and Graphic Novels
  • Jinn and Other Spiritual Beings in Comic Books

1-2 page book proposals should be sent to series editors Matthew Brake and A. David Lewis as the following e-mail address: popandtheology@gmail.com

CFP: Religion and the Marvel Universe (9/15/18)

Editor: Gregory Stevenson (gstevenson@rc.edu)

Theology and Pop Culture is currently seeking contributions for a potential edited volume from Rowman and Littlefield on the intersection of theology and the Marvel Universe. Essays may focus on comic books/graphic novels, film, and television/streaming series. Essays should be written for academics, but avoid “jargon” to be accessible for the layperson.

MARVEL logo

Potential ideas include but are not limited to:

Greek mythology and the Marvel superhero; Catholicism and the character of Daredevil; Ms. Marvel and the rise of the Muslim superhero; Ghost Rider and the deal with the devil; Spider-Man and moral theology; Luke Cage and liberation theology; Black Panther and African theology; Iron Fist and the conflict between capitalism and spiritualism; violence and redemption in The Punisher; religious tolerance and intolerance in The X-Men; the depiction of cults in Marvel’s Runaways; Dr. Strange and the conflict between faith and science; christology in Marvel; Iron Man and Tony Stark’s quest for redemption; Marvel’s cosmic beings; Thor and Norse theology; Captain America and the role of faith; apocalyptic themes in Marvel stories; Cloak and Dagger and the metaphor of light and darkness (this list could go on indefinitely so feel free to propose any relevant topic)

Submission Guidelines:

  1. Please submit an abstract between 300-700 words with CV or resumé, including a list of any previous publications, to Gregory Stevenson at gstevenson@rc.edu by September 15, 2018
  2. Submission deadline for drafts of accepted papers is April 30, 2019 (if a particular essay needs to incorporate the fourth Avengers film, a later submission date can be negotiated)

The Complicated Theology of a Wonder Woman

WONDER WOMAN
Wonder Woman. Photo by ClaraDon/Flickr

[The following piece was originally published for the Colorado Council of Churches website and it is reposted here with the author’s permission.]

Even before the new movie broke box office records and charmed the world this summer, Wonder Woman was an icon for feminism. She has a set of values in the film that closely approximates the best of theological thinking. That is, the movie hints at some concepts that have been core to the character from her creation—that love and diplomacy are better tools than war in solving the world’s problems and that women should have a role in leadership toward peace. Yes, the film has some well-executed fight scenes, but Diana—the Wonder Woman at the center—is determined to use her skills to defend and help. She refuses to vilify the soldiers and ordinary people participating in the violence of World War I; she remains convinced that human beings can be better than they are.

It’s complicated to use a fictional comic character as an icon for anything—peace, diplomacy, or feminism—because so many people are responsible for creating stories about the same character. Creators rarely agree on a single focus or value for characters in their charge. In this short presentation, which I did last year before the film came out, I wrestle with the way two very different origin stories for Wonder Woman create tensions around the character as an “ideal” woman. Thank you to Ryan Duncan and Cathie Kelsey at Iliff School of Theology for inviting me to share my passion for comics with the gathering for International Women’s Day last year. (I misspeak in the opening line of this video and say Women’s Day is a “year” rather than a day, but it’s just wishful thinking!)

I hope you enjoy learning about a little about the tangle of origin stories and my call to be wonders in the world. Despite the complexities, I’m happy that this character exists to give hope and inspiration to women. In moments when I feel powerless, it’s wonderful to have stories about a woman of such obvious power and love. I’m thrilled that this generation has the 2017 film to give them such a positive picture of the possibilities of this character.

For more, watch this video of Dr. Coody!

Elizabeth Rae Coody, PhD directs the Writing Lab at the Iliff School of Theology in Denver, Colorado.  Her own writing is often about the Bible and comics. As a trained biblical scholar whose PhD is in Religious and Theological Studies with a concentration in Biblical Interpretation, she values the contributions to biblical interpretation that popular culture can make. Her 2015 dissertation project was on the way comics can help interpreters imagine the scandal of Jesus’s death on the Cross that is often domesticated by modern Christian sensibilities. Her work continues and expands themes of how popular culture can give insight into the Bible and how knowledge of the Bible can return the favor.

The Marriage of Theology and Graphic Novels

Earlier in the year, the Pittsburgh Theological Seminary’s Rev. Derek R. Davenport proposed a rather intriguing hypothesis: that graphic novels were ideal for theology. He admits that it’s not the most intuitive or necessarily comfortable fit — but it’s a text-and-medium marriage that was meant to be.

As people of faith, we don’t know what to do with art. We surround ourselves with it, invest huge sums of time and money creating it, and then we ignore it.

[…] So let’s do a thought experiment.

Imagine that there was an art form specifically created to address the issue of our relationship with God. Imagine that it was created apart from official church ties, allowing it to maintain freedom from iconoclastic tendencies. Imagine that it could integrate multiple genres like drawing, painting, poetry and literature. Imagine that it had the breadth to explore even questions that some might consider inappropriate or offensive.

This is the graphic novel.

The Reverend is quick to point out that it’s not a direct correlation: not all graphic novels are engaged in theology nor are all graphic novels that could be engaged in theology of high quality. But, nevertheless, the relationship is there (and he nicely tips his hat to S&S at the same time).

Read more of Reverend Davenport’s work on religious symbols and symbology here.

Who Gods the God/Men?, Part II (Or, Prepare Ye the Way of the Rao)

WARNING: This is a spoiler concerning JLA: Justice League of America #2, just out this past July from DC Comics.

jla2aSo, immediately on the heels of JLA: Justice League of America #1‘s last-page surprise that Superman’s Kryptonian god Rao has come to Earth, issue #2 provides a full look at the supposed divinity and offers his directives.

“Prepare the way for me, Kal-El. Tell the people of your world who I am.”

Rao sounds much like the voice of the Abrahamic God as chronicled in such places as Mark 1:2-3: “As it is written in Isaiah the prophet: ‘Behold , I send my messenger ahead of you, who will prepare your way; the voice of one crying in the wilderness, “Make ready the way of the Lord, make His paths straight.”‘”

In that case, then, Superman/Kal-El is Rao’s John the Baptist (or, depending on your reading of the scripture, perhaps Isaiah). At the same time, if Rao is going to speak through Superman with his “way,” then Kal-El could have a (thoroughly un-Islamic) Mohammed-like role.

It could also make Kal-El Moses, depending on one’s translation of Exodus 3:13-14, namely: “Then Moses said to God, ‘Behold, I am going to the sons of Israel, and I will say to them, “The God of your fathers has sent me to you.” Now they may say to me, “What is His name?” What shall I say to them?’ God said to Moses, ‘I AM WHO I AM’; and He said, ‘Thus you shall say to the sons of Israel, “I AM has sent me to you.”‘” And a number of writers would be thrilled to have Superman represent Moses instead of Jesus

Continue reading Who Gods the God/Men?, Part II (Or, Prepare Ye the Way of the Rao)