Tag Archives: cfp

Sacred and Sequential’s Top 2019 Stories

As 2019 draws to a close, we at Sacred and Sequential wanted to take a look back at the year that was and recount the five most-viewed new posts. (Postings from previous years were not included in this list.)

Ultimately, it looks like comics Jesus and calls for new scholarship attracted the most attention! What’s coming in 2020?

Our thanks to all who contributed — and especially those who linked to us and read!

5.

Religion, Spirituality, and Comics – A Sampler (Part 1 of 3)

4.

Kingstone Asks: WILL THE REAL JESUS PLEASE STAND UP?

3.

No to Jesus with superheroes; Yes to Jesus with kung-fu beheadings

2.

CFP – Religion and Comics Series

1.

CFP – Marveling Religion: Critical Discourse and the Marvel Cinematic Universe

CFP – Religion and Comics Series

Call for Papers:
Religion and Comics, A New Book Series from Claremont Press, Claremont School of Theology

The new Claremont Press Religion and Comics series is pleased to welcome submissions for book proposals. This interreligious and ecumenical series is looking for volumes covering multiple topics related to the intersection of religion and comics, including, but
not limited to the following:

  • Representations of Christian Fundamentalism in Comics
  • Eschatology and Comics
  • Magic and Comics
  • Religion in the Comics of Grant Morrison
  • Religion in the Comics of Alan Moore
  • Religion in the Comics of Neil Gaiman
  • Religion in the Comics of G. Willow Wilson
  • Religion in Image Comics
  • Religion in Locke  & Key
  • Religion and Hellboy
  • Depictions of the Afterlife in Comics and Graphic Novels
  • Jinn and Other Spiritual Beings in Comic Books

1-2 page book proposals should be sent to series editors Matthew Brake and A. David Lewis as the following e-mail address: popandtheology@gmail.com

CFP – Marveling Religion: Critical Discourse and the Marvel Cinematic Universe

(Thank you to Marc Singer, author of the new Breaking the Frames: Populism and Prestige in Comics Studies, for bringing this to Sacred and Sequential‘s attention.)

Call for Papers:
Marveling Religion: Critical Discourse and the Marvel Cinematic Universe
Lexington Books (Initial Interest)

Editors: Jennifer Baldwin and Daniel White Hodge

Art by Marissa GarnerMarveling Religion: Critical Discourse of the Marvel Cinematic Universe is an edited volume with interest in contracting and publishing from Lexington Books. It aims to explore central themes of race, gender, religion, politics, society, love, time, space, power, soul, reality, or mind, etc. as expressed (or neglected) in phases 1-3 of the Marvel Cinematic Universe. Ultimately, the invitation is: As religious and/or theological scholars, what do our perspectives contribute to popular discourse on the MCU?

What shall we say about the snap—or any other fascinating dimension of the MCU? How might aspects of intersectionality be at work in the MCU? How does one define evil and good via the MCU?

Continue reading CFP – Marveling Religion: Critical Discourse and the Marvel Cinematic Universe

CFP – Sacred Texts and Comics: Religion, Faith, and Graphic Narratives

(NOTE: The following announcement can be found in full here.)

Sacred Texts and Comics: Religion, Faith, and Graphic Narratives
Edited by Ken Koltun-Fromm and Assaf Gamzou
Proposed volume for the “Critical Approaches to Comics Artists” series, University Press of Mississippi
In addition: Symposium on “Sacred Texts and Comics” at Haverford College, May 5th and 6th, 2016 (workshops for contributors to this proposed volume are included)

The last decade has produced critical and expressive studies in sacred canonical texts and comics. Witness, for example, the artistic works from R. Crumb’s The Book of Genesis (2009) and JT Waldman’s Megillat Esther (2005), as well as scholarly publications from Karline McLain’s India’s Immortal Comic Books (2009), A. David Lewis’s edited volume Graven Images: Religion in Comic Books & Graphic Novels (2010), and Samantha Baskind’s and Ranen Omer-Sherman’s editorial work for The Jewish Graphic Novel: Critical Approaches (2010).

Sacred Texts and Comics: Religion, Faith, and Graphic Narratives is a proposed volume for the “Critical Approaches to Comics Artists” series at the University Press of Mississippi that builds upon, but also beyond, Western or “major” religious traditions to develop a broader landscape of religious graphic mediums. We encourage submissions that engage Islamic, Jewish, Christian, Hindu, Buddhist, Native American, African Diaspora traditions, or other religious communities from a variety of disciplinary or cross-disciplinary perspectives. Such critical approaches may include studies in religion, literature, theology, art history, culture, anthropology, political science, or other disciplines that work with the multi-dimensional features of graphic narratives.

Topics may include, but are not limited to:

  • Depictions of the sacred in comics.
  • The place of historical exegesis and critical, religious interpretation in graphic narratives.
  • Comics as a form and method of interpretation.
  • The ways in which the graphic, formal features engage notions of the sacred.
  • The modes by which graphic narratives represent the sacred or conceptions of religion.
  • The ways in which religious identity and belief are represented and explored in graphic mediums.
  • The multiple ways that visual culture informs religious practice.

Please send a 500-1000 word abstract, CV, and contact information to Ken Koltun-Fromm (kkoltunf@haverford.edu) and Assaf Gamzou (assaf@cartoon.org.il) by August 21, 2015.

Haverford College will host a symposium on “Sacred Texts and Comics” on May 5th and 6th, 2016 that will include workshops for contributors to this proposed volume. Please indicate your interest in and availability to participate in the symposium (all expenses will be paid, including a small stipend).