Tag Archives: batman

Who Gods the God/Men?, Part II (Or, Prepare Ye the Way of the Rao)

WARNING: This is a spoiler concerning JLA: Justice League of America #2, just out this past July from DC Comics.

jla2aSo, immediately on the heels of JLA: Justice League of America #1‘s last-page surprise that Superman’s Kryptonian god Rao has come to Earth, issue #2 provides a full look at the supposed divinity and offers his directives.

“Prepare the way for me, Kal-El. Tell the people of your world who I am.”

Rao sounds much like the voice of the Abrahamic God as chronicled in such places as Mark 1:2-3: “As it is written in Isaiah the prophet: ‘Behold , I send my messenger ahead of you, who will prepare your way; the voice of one crying in the wilderness, “Make ready the way of the Lord, make His paths straight.”‘”

In that case, then, Superman/Kal-El is Rao’s John the Baptist (or, depending on your reading of the scripture, perhaps Isaiah). At the same time, if Rao is going to speak through Superman with his “way,” then Kal-El could have a (thoroughly un-Islamic) Mohammed-like role.

It could also make Kal-El Moses, depending on one’s translation of Exodus 3:13-14, namely: “Then Moses said to God, ‘Behold, I am going to the sons of Israel, and I will say to them, “The God of your fathers has sent me to you.” Now they may say to me, “What is His name?” What shall I say to them?’ God said to Moses, ‘I AM WHO I AM’; and He said, ‘Thus you shall say to the sons of Israel, “I AM has sent me to you.”‘” And a number of writers would be thrilled to have Superman represent Moses instead of Jesus

Continue reading Who Gods the God/Men?, Part II (Or, Prepare Ye the Way of the Rao)

Batman and the Tibetan Comic Book of the Dead

Over at Dreamcatcher.com, George Atherton provided the Internet a service by saving a cataloging the Tibetan Book of the Dead from Thomas Coville’s defunct personal site. The illustrated work itself attempts to paint a (digital) picture of the psycho-spiritual levels of the Tibetan afterlife, the Bardo Thodol.

A page from Thomas Coville's Bardo Thodol
The final level of the Tibetan Bardo Thodol, as envisioned by Thomas Coville.

Coincidentally, this work was highlighted in a brief posting by Rev. Danny Fisher back in 2008 entitled “Holy Bardo, Batman” — that same year, the very same superhero enacted a death sequence as part of Grant Morrison’s Batman R.I.P. storyline where he entered a comatose trance enabled from his secret Tibetan training. (Chronicled by Prof. Jeffrey J. Kripal in his book Mutants and Mystics.)

Batman for only Judeo-Christians, implies politician

Rep. Louie Gohmert

In July of 2012, the Huffington Post reported that Representative Louie Gohmert (R-TX) responded to the Aurora movie theater shootings by stating that “the shootings […] were a result of ‘ongoing attacks on Judeo-Christian beliefs.'” These comments from The Heritage Foundation’s “Istook Live!” radio show have some ugly implications to them: not only do Batman movies attract primarily Judeo-Christian audiences (hmm, ok…) but that the victims of the shooting were paying the price for attacks on specifically this theology. Link this to the relatively Orientalist nature of the first and third films’ villains (i.e. Ra’s al Ghul), and there’s a growing strain (see previous “By Rao!” posts) of either Islamophobic or non-ecumenical taint artificially attaching itself to Batman’s mythos.

Rao wants to know: Is Batman becoming associated with a particular faith?

NPR Covers Grant Morrison’s SUPERGODS

Grant MorrisonAll Things Considered on National Public Radio, spoke with comics writer Grant Morrison recently both to learn about his personal background with superheroes as well as the content of his new book Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human. 

Morrison argues that, unlike movies and TV shows with slow production schedules, comic books speak to the moment in a more immediate way. “A comic is on the streets within three months of it being created,” Morrison says. “There’s very little editorial influence, so you see an artist’s work directly on the page.”

And, he says, comic books provide valuable role models for a new generation of superheroes. “When new superheroes appear on the planet — real superheroes — they’ll have all this material to study and figure out, ‘What are we supposed to be and do?'”

The book jacket adds, “these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations.”

Download the entirety of the 8-minute interview: NPR Interview with Grant Morrison

More on Nightrunner, the Muslim Batman of Paris

Since the previous posting, additional sites and commentators have gone on record regarding Nightrunner, Batman/Bruce Wayne’s selection for his “deputy” in Paris.

Tim Murphy at Mother Jones remains rather neutral and unalarmed on the issue, suggesting that there are two controversies overlaid here: first, that “Frenchmen (and Frenchwomen) would never embrace a Algerian Muslim as a national savior,” and, second, that, in the words of “US comic book creator Bosch Fawstin, […] ‘DC Comics has submitted to Islam.'” This doesn’t seem to be Murphy’s position, though, as he satirically footnotes the report by saying, “Presumably this comes at the expense of the traditional mom-and-pop superheroes, who, now unemployed and compelled to put food on their table by any means possible, turn to crime. It’s the perfect cycle.”

Rory Mulholland of the Agence France Presse (AFP), published online through The Daily Star: Lebanon, also quotes Fawstin. But Mulholland notes that the issues have sold briskly and raised little attention in France itself. Olivia Snaije of Publishing Perspectives says that the French are “bemused” by this controversy (though she offers no French bloggers either by name or by URL).

OnIslam.com lets many of the complaintants speak for themselves but includes author David Hine in the discussion. He explains:

“The urban unrest and problems of the ethnic minorities under (President Nicolas) Sarkozy’s government dominate the news from France […] It became inevitable that the hero should come from a French Algerian background.” […] He said that the Nightrunner is “the kind of hero I would want to see in a comic book if I were French.”

For Hine, then, Nightrunner is not a slight but, rather, a character born out of current events. Add to this the idea posited by an nonymous commenter at the Hindustan Times, suggesting that “Comic book heroes were always about politics and social engineering.” If that is correct, is Nightrunner that far afield? IkhwanWeb believes that the furor over Nightwing isn’t that he has Algerian roots or is potentially representing the French; rather, their article suggests that right-wing bloggers simply feel “a Muslim [is] not fit to play the role of a superhero and fight crime.” In short, the subtext of protests against Nightrunner seem to stress that Muslims cannot be superheroes. Though not discussing Nightrunner, the Malaysian Sun2Surf features the debut film of a new Muslim superhero, the eponymous Haq. Co-director Jumaatun Azmi is quoted as saying, “These values are also universal and they apply to all faiths. Even if you’re not a Muslim, you can still relate to the values,” a possible retort to the right-wing subtext.

At the forum for SuperheroHype.com, the conversation has inverted somewhat, questioning whether a superhero can be as overtly and outwardly Christian as Nightrunner is Muslim. Additionally, the poster lebenskuntzler at LiveLeak.com argues that only multiculturalism is permitted in popular culture, including superhero comics, going so far as to suggest a supervillain modeled on Mohammed (pbuh) be more fitting for Batman comics.