Tag Archives: catholicism

articles and essays, from the Internet

Easter Treasure – The Catholic “Treasure Chest of Fun and Fact”

[This article first appeared in the Catholic University of America’s “Archivist’s Nook” by William J. Shepherd. It is reproduced here with permission.]

Iconic painting of ‘The Last Supper’ by Hans Holbein the Younger, ca. 1520. Treasure Chest of Fun and Fact, v. 18, n. 15, March 28, 1963.

Readers of The Archivist’s Nook blog well know the popularity of the Catholic comic book, the Treasure Chest of Fun and Fact, published for most of its history, 1946-1972, by George Pflaum of Dayton, Ohio. The digital version of the collection is especially popular and has been highlighted in three previous blog posts, the first reviewing the origin of Catholic University’s digital collections, ‘Hark! The Digital Angel Comes!’;  the second examining issue covers featuring Jesus Christ,‘Treasure Chest – Your Own Virtual Jesus’; and the third an exposition of covers related to the celebration of Christmas, ‘A Merry Treasure Chest Christmas to All!’.

The Last Easter cover, silhouette of Christ’s profile while on the Cross,Treasure Chest of Fun and Fact, v. 21, n. 16, April 7, 1966.

It will therefore be no surprise The Archivist’s Nook returns to the Treasure Chest’s remarkable treasure trove to commemorate Easter, past, present, and future. From the first volume of the Treasure Chest in 1946, through the next twenty years, there was usually an annual issue with a cover marking an Easter related event. Occasionally, the Treasure Chest skipped a year, while other years had two Easter related covers. Overall, the most popular were scenes of the empty tomb with the resurrected Jesus Christ announcing his presence (6 occasions) or an angel or angels (3 times) proclaiming the good news to Christ’s followers. Also, there were usually no Easter related stories therein to march the covers, though there were sometimes short features such as ‘Easter Eggs You Can Make’ (April 1, 1947) and ‘Our Lady of Sorrows’ (April 8, 1954).

The first Easter cover, presumably the scene from the Book of Mathew, Chapter 28, Verses 1-2, with the Angel of the Lord at Christ’s empty tomb proclaiming the Good News to Mary Magdalene, and another Mary,Treasure Chest of Fun and Fact, v. 1, n. 4, April 23, 1946.

Other covers depict the removal of Christ’s body from the Cross by family and friends (3 issues), including one of Michelangelo’s celebrated Pieta; Stations of the Cross (twice); and certain more singular events, including the triumphal Palm Sunday entrance of Jesus into Jerusalem, the inspirational and iconic Last Supper, the stunning betrayal of Christ by disciple Judas Iscariot in the Garden of Gethsemane, and the heart wrenching scene of Christ’s brutal execution by the Romans via the process of Crucifixion.

The Treasure Chest of the post Second Vatican Council era became more secular in outlook and appearance so that few religious scenes, including any depicting Easter related events, appeared in its last five years, 1967-1972. Sadly, this change of direction was perhaps a harbinger of the Treasure Chest’s ending. Gone, but most certainly not forgotten!

articles and essays, contributors, online

Cloning Enchantment: Jesuses After Climate Change

[This article first appeared in the Journal of the Center for Mennonite Writing, vol 8, no. 3. It is reproduced here with permission.]

Elizabeth Rae Coody
Elizabeth Rae Coody (PhD) is a biblical scholar with a professional interest in comic books. She is the Director of the Writing Lab and adjunct faculty for the Iliff School of Theology in Denver, Colorado.

When I found one comic with a Jesus that scientists had cloned from relics, I chuckled at its clever premise. When I found the third Jesus Clone comic, I realized that something had to be going on. As a biblical scholar with professional interests in comics, I had come upon one of those ideas that will not let me go.[1]

I find that Jesus Clone reflects an anxiety about human control and biblical promises in a underexplored corner of U.S. popular culture. There are other thinkers who linger over questions about the worth of popular culture and comics in addressing such ideas, but I am convinced that these comics, and others like them, offer insight into how people conceive of and combine elements from science, religion, and imagination to make sense of our world. These comics bring emotion and narrative to our effort to sort our identity as a species.

Human beings are having a geological effect on the planet we inhabit.[2] Once we allow ourselves to conceive of our role in climate change, we humans have to make sense of the control we have on the planet. Control that was once seen as solely divine is all too human, often with stomach-churning consequences. We have agency, but what have we done with it? What’s there to do when science pronounces planetary doom and religion is seen to falter when asked to answer? Why, combine the two! Bring the Second Coming with Science!
Continue reading Cloning Enchantment: Jesuses After Climate Change →

controversy, cultural, from the Internet, online

‘Antisemitism Problem’ In Marvel Movies? No, but…

Over at ComicMix, writer Mindy Newell takes The Jewish Daily Forward to task for its piece, “Do Marvel Movies Have An Anti-Semitic Problem?” Newell minces no words, calling it “the dumbest article I’ve ever read on their site.”

magnetoThe Forward article by Susan Mohall seems to hinge on Magneto, identified in the movies and (most) comics as a Jewish Holocaust survivor, being a villain as well as the nefarious  HYDRA organization having its Nazi roots effaced. Newell quickly dismantles their Magneto argument and, in terms of HYDRA, goes on to say:

Oh, Susan. I guess you never saw Captain America: The Winter Soldier and you never have watched Marvel’s Agents of S.H.I.E.L.D. HYDRA evolved, my dear. It’s gotten smarter, its adapted, it’s gotten smoother – just as our own rat-fuckers learned from Watergate – but it is certainly is still fascist, and it’s certainly not “shy[ing] away from its Nazi roots.”

For what it’s worth, Hal Jordan’s partial Jewish heritage was never featured in the Green Lantern movie, and Ben Grimm’s Jewish background has never been noted in any Fantastic Four movie. Then again, neither has Bruce Wayne’s potential tie to the Christian Sir Gawain of Grail Legend or, say, Colossus of the X-Men’s atheistic Communist roots.

Perhaps the issue that Mohell misconstrued was less some form of antisemitism in these superhero films but, instead, a compulsion towards secularizing their characters? (Even Thor, a “god,” isn’t worshiped…)

Is television’s Matt Murdock (aka Daredevil) the first of these cinematic characters we’ve seen seek spiritual help from a real-world religious institution?

DD-Church

contributors, from the Internet

Material Religion of Comic Books Discussed Immaterially on Twitter

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Over on Storify, S&S’s own A. David Lewis has curated an online Twitter discussion between himself, S. Brent Plate, and S&S’s Asher J. Klassen, Elizabeth Coody, and Jeffrey Bracket on the materiality of comics in terms of modern religion. Read here.

 

S. Brent Plate
S. Brent Plate

 

cultural, online

Is the Pope Catholic? Better Yet, Is the Hulk?

The Hulk's Catholic ceremony
The Incredible Hulk #319 where the Hulk’s alter ego Bruce Banner marries in a Catholic wedding ceremony. (Image provided by Robot 6.)

In July, Matt Staggs of Random House’s genre site Suvudu conducted a brief examination of comics’ relationship with religion, prompted by a report by the British Telegraph that the Vatican’s newspaper L’Osservatore Romano “devoted a full page looking at the Catholic identity of popular comic book superheroes while questioning the religious affiliation of some of the most popular like Superman and Batman.”

Senior journalist Gaetano Vallini writes,

Bruce Banner, the incredible green man [the Hulk], in fact married his beloved Betty Ross in a church and a Catholic priest presided at the ceremony. […] There are other indications dispersed among the hundreds of comic strips dedicated to him that are said to unequivocally reveal his faith.

Kevin Melrose, covering the story for CBR‘s Robot 6 column, notes that Adherents.com‘s listing of superhero religious affiliations has the Hulk as “a lapsed Catholic.” The greater question here might be whether the religion of one’s alter ego or monstrous other self carries over across manifestations; if Dr. Jekyll was a Christian, does that also make Mr. Hyde one?

Oddly enough (or tellingly), the full-page examination of superheroes is neither available at nor catalogued by L’Osservatore Romano‘s website — at least, not yet. All the site offers when searched for “Superman” or “comics” is a 2011 excerpt in praise of Tin Tin in advance of Steven Spielberg/Peter Jackson motion-capture movie The Adventures of Tin Tin based on the comics of Herge. Josephine McKenna of The Telegraph notes that the 2013 Vatican piece was published in the wake of Man of Steel‘s impressive global box office draw.