Category Archives: academic

CFP – Marveling Religion: Critical Discourse and the Marvel Cinematic Universe

(Thank you to Marc Singer, author of the new Breaking the Frames: Populism and Prestige in Comics Studies, for bringing this to Sacred and Sequential‘s attention.)

Call for Papers:
Marveling Religion: Critical Discourse and the Marvel Cinematic Universe
Lexington Books (Initial Interest)

Editors: Jennifer Baldwin and Daniel White Hodge

Art by Marissa GarnerMarveling Religion: Critical Discourse of the Marvel Cinematic Universe is an edited volume with interest in contracting and publishing from Lexington Books. It aims to explore central themes of race, gender, religion, politics, society, love, time, space, power, soul, reality, or mind, etc. as expressed (or neglected) in phases 1-3 of the Marvel Cinematic Universe. Ultimately, the invitation is: As religious and/or theological scholars, what do our perspectives contribute to popular discourse on the MCU?

What shall we say about the snap—or any other fascinating dimension of the MCU? How might aspects of intersectionality be at work in the MCU? How does one define evil and good via the MCU?

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Comics Academe: How To Write a Comics Dissertation

[The following piece was originally published for the Women Write About Comics website, and it is reposted here with the author’s permission.]
Couverture de l'ouvrage de Mathieu Tillet, "Dissertation sur la cause qui corrompt et noircit les grains de blé dans les épis, et sur les moyens de prévenir ces accidens," 1755. Wikimedia Commons.
Out there, somewhere, is a woman who writes about comics who wants to turn that writing to a comics dissertation or thesis, or at least I sure hope there is! The field is wide open and ready for more. For the uninitiated, a dissertation or thesis is the long essay or project that serves as the capstone for most advanced degrees (especially doctoral degrees) in the sciences and humanities. There is some degree of coursework or class-type work in most programs, but this is the project that determines whether or not you earn the degree. The nature and form of these projects has been under debate in recent years, but the actual production of some object that concludes the PhD remains a constant. The internet has worked alongside the fast-moving and collaborative nature of digital scholarship in general to jolt the usually slow-to-change academic establishment. By making wide varieties of information more available to a wider public and expanding the possibilities of collaboration, digital forms of scholarship have disturbed the idea of authority. This idea of authority is what allows some group to grant a degree to someone else. You can see why this sort of debate can be disturbing!

What I’ll talk about most here is writing about comics in a dissertation as opposed to writing a dissertation as a comic. Be warned: the minute you start pairing talk of “comics” and “dissertation” people are going to assume you’re writing a comic. For some of you, this will be a fantastic way to go. If your committee has trouble imagining your dissertation as a comic, you might point out Nick Sousanis’s recently published comics dissertation Unflattening. His process bringing the dissertation into comics form is lovingly documented all over the internet by academics and comics people alike, such as herehere, and here. Such a precedent is wonderful to present to a wary committee. If their hesitation comes from fears that you won’t be taken seriously, it’s nice to have a publication from Harvard University Press to point out. Of course, you should listen to your committee, more on them in a moment.

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Teaching Gospel Texts and Mimesis with Superhero Stories

John W. Fadden, Ph.D.[The following entry is written by John Fadden, PhD., an adjunct lecturer across Western New York and frequent contributor to the Society of Biblical Literature. It is presented here with his permission.]

I teach an undergraduate introduction to the New Testament course that is mostly filled with students taking the course to fulfill requirements of the college’s core curriculum. I assume most students do not have a background in the cultural contexts of the writers of the New Testament, nor that most students have any connection to, or have read the New Testament. Yet, I also expect that because the New Testament is the “Bible,” students, including non-Christians, have certain expectations about the Gospels as historical documents that provide accurate portrayals of Jesus’s life. Most of the students have never thought about the literary practices in the cultural context that would have influenced the gospel writers.

In the spring semester, I added a new activity to the course in hopes of pushing students to think about the Gospels as imitating the classical epics by introducing them to Dennis MacDonald’s mimetic theory. While a lot of MacDonald’s scholarship is beyond the undergraduate non-major reading level, his Mythologizing Jesus: From Jewish Teacher to Epic Hero (Rowman & Littlefield, 2005) provides a popular audience access to his scholarship. Since I assumed that my students have a limited background in the classics (and no knowledge of Greek), I wanted to come up with a way to have them engage with MacDonald’s ideas, but using stories familiar to their own cultural settings from the superhero genre. The initial goal was for students to imitate a superhero scene to create a pericope about Jesus. To add a degree of difficulty (and to fit within the course’s core curriculum requirements) students also had to make it fit into the first century context (so no saving an airplane from crashing). The course also has a public speaking / presentation requirement, so the student’s final creation was delivered in front of their classmates.

JESSICA JONES: "AKA Smile"The activity required multiple engagements with the topic. First, I assigned the students read parts of MacDonald’s book to introduce them to his theory. I also asked students to pick a superhero story from a movie, TV show, or comic book that they could write in a 10-15 verse story (suggesting students think about MacDonald’s work as they chose it). In the next class session, we discussed the reading from MacDonald. I demonstrated how they might imitate their contemporary superhero story when writing a story about Jesus using the concluding scene from Jessica Jones season 1, episode 12 as an example. (I figured it was old enough I wouldn’t be guilty of spoilers, but I discovered few students had watched it; so I might recommend adding a few minutes into the class to show a clip of whatever story you are imitating in your demonstration.) I also showed them how the imitator might leave clues for her audience to be able to recognize the source story (for example, playing with a notable name like Kilgrave could signal to those familiar with Jessica Jones that there was a connection). I gave the students a week to write their imitation of a superhero story as a pericope about Jesus.

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CFP: Religion and the Marvel Universe (9/15/18)

Editor: Gregory Stevenson (gstevenson@rc.edu)

Theology and Pop Culture is currently seeking contributions for a potential edited volume from Rowman and Littlefield on the intersection of theology and the Marvel Universe. Essays may focus on comic books/graphic novels, film, and television/streaming series. Essays should be written for academics, but avoid “jargon” to be accessible for the layperson.

MARVEL logo

Potential ideas include but are not limited to:

Greek mythology and the Marvel superhero; Catholicism and the character of Daredevil; Ms. Marvel and the rise of the Muslim superhero; Ghost Rider and the deal with the devil; Spider-Man and moral theology; Luke Cage and liberation theology; Black Panther and African theology; Iron Fist and the conflict between capitalism and spiritualism; violence and redemption in The Punisher; religious tolerance and intolerance in The X-Men; the depiction of cults in Marvel’s Runaways; Dr. Strange and the conflict between faith and science; christology in Marvel; Iron Man and Tony Stark’s quest for redemption; Marvel’s cosmic beings; Thor and Norse theology; Captain America and the role of faith; apocalyptic themes in Marvel stories; Cloak and Dagger and the metaphor of light and darkness (this list could go on indefinitely so feel free to propose any relevant topic)

Submission Guidelines:

  1. Please submit an abstract between 300-700 words with CV or resumé, including a list of any previous publications, to Gregory Stevenson at gstevenson@rc.edu by September 15, 2018
  2. Submission deadline for drafts of accepted papers is April 30, 2019 (if a particular essay needs to incorporate the fourth Avengers film, a later submission date can be negotiated)

UPDATE: Two Universities Vie for Largest Collection of Indian Comics in U.S.

Illinois vs. MichiganLast October, Sacred and Sequential reported that the the largest collection of Indian comics in the U.S. resides at the University of Illinois under the care of curator Mara Thacker. In December, however, we received the following e-mail from Professor Siddharth Chandra, excerpted below:

Subject: Largest collection of Indian comics in a US library
Message Body:
Dear Mr. David,

A small correction to your article titled “THE U.S.’S LARGEST INDIAN COMICS COLLECTION IN IS IN ILLINOIS.” ‘Illinois’ should read ‘Michigan.’ For more information, please see https://magic.msu.edu/search~S39?/dIndian+comic+books%2C+strips%2C+etc./dindian+comic+books+strips+etc/-3%2C-1%2C0%2CB/exact&FF=dindian+comic+books+strips+etc&1%2C1763%2C .

This link leads to a partial listing of Indian comics in Michigan State University’s comic arts collection. There are hundreds of additional volumes in the process of being cataloged.

Kind regards,
Siddharth Chandra

After following the link and reading its contents, I caught the gist of his message and responded:

Actually, you’re saying that the premise of the article is incorrect — that the largest one ISN’T in Illinois, as stated by the article, but at MSU?

And his reply was polite and clear (as were his bona fides):

Yes, I believe so.

Siddharth Chandra
Director, Asian Studies Center
Professor of Economics, James Madison College and
Professor (by courtesy), Department of Epidemiology and Biostatistics
Michigan State University

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