UPDATE: Islamophobic Cartoon Contest Canceled

Caricature of Geert Wilders from http://www.karikaturen-online.nl/en/homepage-en/In June, Sacred and Sequential shared reporting from Reuters that the Freedom Party of the Dutch government had announced a new “free-speech event” centered around creating illustrations of the Islamic Prophet Mohammed. Led by politician Geert Wilders, the contest was to be judged by the 2015 Garland, Texas “Draw Mohammed” contest winner, Bosch Fawstin.

Following a peaceful protest march in Islamabad in late August, reports the Associated Press,  the planned contest has been canceled. Wilders is quoted by The Telegraph as saying, “To avoid the risk of victims of Islamic violence, I have decided to not let the cartoon contest go ahead.” InfoWars deemphasizes the impact of the 10,000-strong peaceful march, focusing instead on a video death threat Wilders received.

Fawstin’s Twitter account remains suspended.

Jews and Comics in Canada this October

Beth Tzedec Comics Event

The Beth Tzedec Congregation in Toronto, Ontario has announced its late October showcase of connections between the comic book industry and the Jewish people. Of particular note is the involvement, along with co-curator Ron Kasman, of Steven Bergson, long-time S&S friend and contributor. Steve runs the Jewish Comics blog and is the force behind The Jewish Comics Anthology.

Details can be found here and admission is free, though reservations are required for opening night, October 23rd.

O Canada!

Teaching Gospel Texts and Mimesis with Superhero Stories

John W. Fadden, Ph.D.[The following entry is written by John Fadden, PhD., an adjunct lecturer across Western New York and frequent contributor to the Society of Biblical Literature. It is presented here with his permission.]

I teach an undergraduate introduction to the New Testament course that is mostly filled with students taking the course to fulfill requirements of the college’s core curriculum. I assume most students do not have a background in the cultural contexts of the writers of the New Testament, nor that most students have any connection to, or have read the New Testament. Yet, I also expect that because the New Testament is the “Bible,” students, including non-Christians, have certain expectations about the Gospels as historical documents that provide accurate portrayals of Jesus’s life. Most of the students have never thought about the literary practices in the cultural context that would have influenced the gospel writers.

In the spring semester, I added a new activity to the course in hopes of pushing students to think about the Gospels as imitating the classical epics by introducing them to Dennis MacDonald’s mimetic theory. While a lot of MacDonald’s scholarship is beyond the undergraduate non-major reading level, his Mythologizing Jesus: From Jewish Teacher to Epic Hero (Rowman & Littlefield, 2005) provides a popular audience access to his scholarship. Since I assumed that my students have a limited background in the classics (and no knowledge of Greek), I wanted to come up with a way to have them engage with MacDonald’s ideas, but using stories familiar to their own cultural settings from the superhero genre. The initial goal was for students to imitate a superhero scene to create a pericope about Jesus. To add a degree of difficulty (and to fit within the course’s core curriculum requirements) students also had to make it fit into the first century context (so no saving an airplane from crashing). The course also has a public speaking / presentation requirement, so the student’s final creation was delivered in front of their classmates.

JESSICA JONES: "AKA Smile"The activity required multiple engagements with the topic. First, I assigned the students read parts of MacDonald’s book to introduce them to his theory. I also asked students to pick a superhero story from a movie, TV show, or comic book that they could write in a 10-15 verse story (suggesting students think about MacDonald’s work as they chose it). In the next class session, we discussed the reading from MacDonald. I demonstrated how they might imitate their contemporary superhero story when writing a story about Jesus using the concluding scene from Jessica Jones season 1, episode 12 as an example. (I figured it was old enough I wouldn’t be guilty of spoilers, but I discovered few students had watched it; so I might recommend adding a few minutes into the class to show a clip of whatever story you are imitating in your demonstration.) I also showed them how the imitator might leave clues for her audience to be able to recognize the source story (for example, playing with a notable name like Kilgrave could signal to those familiar with Jessica Jones that there was a connection). I gave the students a week to write their imitation of a superhero story as a pericope about Jesus.

Continue reading Teaching Gospel Texts and Mimesis with Superhero Stories

CFP: Religion and the Marvel Universe (9/15/18)

Editor: Gregory Stevenson (gstevenson@rc.edu)

Theology and Pop Culture is currently seeking contributions for a potential edited volume from Rowman and Littlefield on the intersection of theology and the Marvel Universe. Essays may focus on comic books/graphic novels, film, and television/streaming series. Essays should be written for academics, but avoid “jargon” to be accessible for the layperson.

MARVEL logo

Potential ideas include but are not limited to:

Greek mythology and the Marvel superhero; Catholicism and the character of Daredevil; Ms. Marvel and the rise of the Muslim superhero; Ghost Rider and the deal with the devil; Spider-Man and moral theology; Luke Cage and liberation theology; Black Panther and African theology; Iron Fist and the conflict between capitalism and spiritualism; violence and redemption in The Punisher; religious tolerance and intolerance in The X-Men; the depiction of cults in Marvel’s Runaways; Dr. Strange and the conflict between faith and science; christology in Marvel; Iron Man and Tony Stark’s quest for redemption; Marvel’s cosmic beings; Thor and Norse theology; Captain America and the role of faith; apocalyptic themes in Marvel stories; Cloak and Dagger and the metaphor of light and darkness (this list could go on indefinitely so feel free to propose any relevant topic)

Submission Guidelines:

  1. Please submit an abstract between 300-700 words with CV or resumé, including a list of any previous publications, to Gregory Stevenson at gstevenson@rc.edu by September 15, 2018
  2. Submission deadline for drafts of accepted papers is April 30, 2019 (if a particular essay needs to incorporate the fourth Avengers film, a later submission date can be negotiated)

Return of Islamophobic Cartoon Contest

Here we go again…

“The Prophet Muhammad is pictured in this Islamic manuscript dated 1539–43. It comes from a royal miniature made to illustrate a copy of the poems of the celebrated Persian Nizami, and depicts the prophet’s ascension to heaven on the horse Buraq.” (Copyright © The British Library Board; courtesy of WBUR)

From Reuters:

The Freedom Party of Dutch anti-Islam politician Geert Wilders will hold a competition of cartoons depicting the Prophet Mohammad, it said on Tuesday. The party said the plan to hold the competition in the party’s secure offices in Dutch Parliament had been approved by the Dutch Counter-terrorism Agency NCTV.

If this sounds familiar, it should. There was a “Draw Mohammed” Contest in Garland, TX in 2015, won by Bosch Fawstin who will serve as a judge for this new event. Wilders served as a keynote speaker at that 2015 contest, and two gunmen, claimed by ISIS, were killed on site.

This competition is being billed as a “free speech event,” not  unlike the Danish newspaper Jyllands-Posten‘s own 2005 showcase of Mohammed cartoons, similarly resulting in violence.

On a related note, Twitter recently suspended Fawstin’s account following his posting opposing on Marvel Entertainment’s plans for Muslim superheroine Ms. Marvel. This was the latest in his “multiple or repeat violations of the Twitter Rules.”

Bosch Fawstin's tweet

Islamic culture has a history of respectful images of Mohammed, though that does not in any way seem the goal of Fawstin and Wilders’s insulting affair.

@ the intersection of religion and comics: Graphic Religion