Tag Archives: Jesus

Teaching Gospel Texts and Mimesis with Superhero Stories

John W. Fadden, Ph.D.[The following entry is written by John Fadden, PhD., an adjunct lecturer across Western New York and frequent contributor to the Society of Biblical Literature. It is presented here with his permission.]

I teach an undergraduate introduction to the New Testament course that is mostly filled with students taking the course to fulfill requirements of the college’s core curriculum. I assume most students do not have a background in the cultural contexts of the writers of the New Testament, nor that most students have any connection to, or have read the New Testament. Yet, I also expect that because the New Testament is the “Bible,” students, including non-Christians, have certain expectations about the Gospels as historical documents that provide accurate portrayals of Jesus’s life. Most of the students have never thought about the literary practices in the cultural context that would have influenced the gospel writers.

In the spring semester, I added a new activity to the course in hopes of pushing students to think about the Gospels as imitating the classical epics by introducing them to Dennis MacDonald’s mimetic theory. While a lot of MacDonald’s scholarship is beyond the undergraduate non-major reading level, his Mythologizing Jesus: From Jewish Teacher to Epic Hero (Rowman & Littlefield, 2005) provides a popular audience access to his scholarship. Since I assumed that my students have a limited background in the classics (and no knowledge of Greek), I wanted to come up with a way to have them engage with MacDonald’s ideas, but using stories familiar to their own cultural settings from the superhero genre. The initial goal was for students to imitate a superhero scene to create a pericope about Jesus. To add a degree of difficulty (and to fit within the course’s core curriculum requirements) students also had to make it fit into the first century context (so no saving an airplane from crashing). The course also has a public speaking / presentation requirement, so the student’s final creation was delivered in front of their classmates.

JESSICA JONES: "AKA Smile"The activity required multiple engagements with the topic. First, I assigned the students read parts of MacDonald’s book to introduce them to his theory. I also asked students to pick a superhero story from a movie, TV show, or comic book that they could write in a 10-15 verse story (suggesting students think about MacDonald’s work as they chose it). In the next class session, we discussed the reading from MacDonald. I demonstrated how they might imitate their contemporary superhero story when writing a story about Jesus using the concluding scene from Jessica Jones season 1, episode 12 as an example. (I figured it was old enough I wouldn’t be guilty of spoilers, but I discovered few students had watched it; so I might recommend adding a few minutes into the class to show a clip of whatever story you are imitating in your demonstration.) I also showed them how the imitator might leave clues for her audience to be able to recognize the source story (for example, playing with a notable name like Kilgrave could signal to those familiar with Jessica Jones that there was a connection). I gave the students a week to write their imitation of a superhero story as a pericope about Jesus.

Continue reading Teaching Gospel Texts and Mimesis with Superhero Stories

Elizabeth Coody and Biblical Shock through Comics – 003 Sacred & Sequential Audio

Those not fortunate enough to attend the 2017 American Academy of Religion annual conference, particularly its final morning of presentations, are in luck: We’re joined by a frequent Sacred & Sequential contributor, Iliff School of Theology’s Elizabeth Coody, for a redux of her paper, “The More Savage Sword: A Theory of Biblical Text Used for Shock.” For the podcast, visual input is offered by host A. David Lewis, but online audiences can follow her accompanying Prezi here.

Sacred & Sequential Report from the San Diego Comic-Con, Part 2

As she did with its opening day, special correspondent Samantha Langsdale continued to report from the 2017 International Comic-Con San Diego (aka the San Diego Comic-Con or SDCC).

In addition to her own presentation at the Comic Arts Conference (CAC), Samantha relayed intriguing notes on another presenter, Kerry Fine, and her analysis of Arigon Starr’s Super Indian:

Kerry Fine of Arizona State University

A panel from Arigon Starr's SUPER INDIANOk, annoyingly, Travis Langley’s name tag got left on the podium, but this is Kerry Fine from Arizona State University, She’s discussing Arigon Starr’s comic Super Indian, which, through allusions, humor, and hyperbole, challenges normative assumptions about Native American spirituality and culture.

It challenges assumptions about native being “magical” and, instead, shows the normal, everyday experiences of Native Americans whilst always being critical of colonial representations of natives.

In fact, Starr herself was invited up as a special guest.

Arigon Starr

When asked about any relevant buzz concerning the Eisner Awards, Samantha reported

haven’t heard much chat to that effect. I’ve been mildly annoyed to find nothing about Islam. We’re going back to the Small Press section today [Sunday] to rummage around, so I’ll see if I can find some indie. But overwhelmingly nothing and no panels!

She noted some Ms. Marvel cosplay but scarce else notably Islamic. Christianity, on the other hand, was well represented:

Jesus cosplay by @TheJesusHChrist Samantha also noted that the IDW panel mentioned “plans to publish a comic about Antar” and that, along with the cosplay, Ms. Marvel was a frequently mentioned character, “a fav on almost every panel I went to about diversity/women.” (She was unable to attend the “Spiritual Themes in Comics” panel hosted by the Christian Comic Arts Society, however, where panelists ” examine[d] how spiritual themes influence the entertainment industry and how the reality of spiritual beliefs affects the culture’s perception of spiritual influences. )

Sacred and Sequential once again wants to thank Samantha for her time and notes — as always, so much to see at SDCC!

Top 5 Religion & Comics Posts of 2016

From JLA (2015)A multitude of issues pertaining to religion and comics have filled the media and the Sacred and Sequential site in 2016: Islamophobia, superhero gods, idolatry and blasphemy, proselytizing, memorializing. Below are the five most-read articles from our pages; in toto, they all seem to orbit concerns of the medium’s essential alignment with either Christianity, Judaism, or the far, far more esoteric. Is there battle for the “soul” of comics amassing?

5. Four-Color Christ Jesus
10/31: Ron Edwards of Comics Madness penned this birthday reflection on Jesus, comics, Jack T. Chick, and The Cross and the Switchblade (along with eye-opening comments from his readers).

4. Jack T. Chick dies at 92
10/25: Jack T. Chick likewise headlines this post by Martin Lund, who explores the difficulty of Chick’s impact and legacy.

3. Jews and Comics: The Decade in Review
2/2: The Jewish Comics Blog‘s Steven Bergson addresses the flaws in religion & comics reportage, particularly by a January Haartez article.

2. Questioning Frank Miller and Superman’s “Jewish Essence”
10/13: Lund approaches the “Judaism and comics” issue from a new perspective, this time triggered by Frank Miller’s comments to CBR.com.

1. Sacred Texts: Lovecraft, Alan Moore, and Religion in Providence
2/9: Bobby Derie of Facts in the Case of Providence gives S&S readers a tour of Alan Moore’s latest (and last?) comics series along with its deep linkages to the study of religion.

The Daredevil of 2016, the Faithful of 2017?

Earlier this year, S&S’s own Scott Gardner reflected on “The Spiritual Consciousness of Marvel’s Daredevil” for The Huffington Post, analyzing both seasons of the hit Netflix superhero series in terms of its ties to faith. With the church-infused Luke Cage having become a binge-worthy sensation as well as Iron FistThe Punisher, and Defenders all debuting out in 2017, ’tis the seaon, so to speak, to revisit the break-out characters’ heroic suffering and “struggling conflict of faith.”

DAREDEVIL #7 art by Paulo Rivera