Tag Archives: Jesus

Four-Color Christ Jesus

[The following post was written by Ron Edwards for his site Comics Madness and is republished here with permission. The entirety of the reader Comments that followed his writing are also included as of 9/16/2016; they have not been edited for content, and they reflect solely the views of their writers.]

Happy birthday to me! I grant you this is an odd topic for my birthday post, as I have zero affinity or resonance with evangelical Christianity. Its impact is definite at second-hand, though, as I think about the number of friends and family who became Jesus People (the early term) and (as soon called) Saved or Born Again during my pre-teens and teens, say from 1974 through the early 1980s. My previous column sort of got me going on the religion/comics topic and it turned out to be autobiographically non-trivial, so here we go.

Continue reading Four-Color Christ Jesus

Easter Treasure – The Catholic “Treasure Chest of Fun and Fact”

[This article first appeared in the Catholic University of America’s “Archivist’s Nook” by William J. Shepherd. It is reproduced here with permission.]

Iconic painting of ‘The Last Supper’ by Hans Holbein the Younger, ca. 1520. Treasure Chest of Fun and Fact, v. 18, n. 15, March 28, 1963.

Readers of The Archivist’s Nook blog well know the popularity of the Catholic comic book, the Treasure Chest of Fun and Fact, published for most of its history, 1946-1972, by George Pflaum of Dayton, Ohio. The digital version of the collection is especially popular and has been highlighted in three previous blog posts, the first reviewing the origin of Catholic University’s digital collections, ‘Hark! The Digital Angel Comes!’;  the second examining issue covers featuring Jesus Christ,‘Treasure Chest – Your Own Virtual Jesus’; and the third an exposition of covers related to the celebration of Christmas, ‘A Merry Treasure Chest Christmas to All!’.

The Last Easter cover, silhouette of Christ’s profile while on the Cross,Treasure Chest of Fun and Fact, v. 21, n. 16, April 7, 1966.

It will therefore be no surprise The Archivist’s Nook returns to the Treasure Chest’s remarkable treasure trove to commemorate Easter, past, present, and future. From the first volume of the Treasure Chest in 1946, through the next twenty years, there was usually an annual issue with a cover marking an Easter related event. Occasionally, the Treasure Chest skipped a year, while other years had two Easter related covers. Overall, the most popular were scenes of the empty tomb with the resurrected Jesus Christ announcing his presence (6 occasions) or an angel or angels (3 times) proclaiming the good news to Christ’s followers. Also, there were usually no Easter related stories therein to march the covers, though there were sometimes short features such as ‘Easter Eggs You Can Make’ (April 1, 1947) and ‘Our Lady of Sorrows’ (April 8, 1954).

The first Easter cover, presumably the scene from the Book of Mathew, Chapter 28, Verses 1-2, with the Angel of the Lord at Christ’s empty tomb proclaiming the Good News to Mary Magdalene, and another Mary,Treasure Chest of Fun and Fact, v. 1, n. 4, April 23, 1946.

Other covers depict the removal of Christ’s body from the Cross by family and friends (3 issues), including one of Michelangelo’s celebrated Pieta; Stations of the Cross (twice); and certain more singular events, including the triumphal Palm Sunday entrance of Jesus into Jerusalem, the inspirational and iconic Last Supper, the stunning betrayal of Christ by disciple Judas Iscariot in the Garden of Gethsemane, and the heart wrenching scene of Christ’s brutal execution by the Romans via the process of Crucifixion.

The Treasure Chest of the post Second Vatican Council era became more secular in outlook and appearance so that few religious scenes, including any depicting Easter related events, appeared in its last five years, 1967-1972. Sadly, this change of direction was perhaps a harbinger of the Treasure Chest’s ending. Gone, but most certainly not forgotten!

Cloning Enchantment: Jesuses After Climate Change

[This article first appeared in the Journal of the Center for Mennonite Writing, vol 8, no. 3. It is reproduced here with permission.]

Elizabeth Rae Coody
Elizabeth Rae Coody (PhD) is a biblical scholar with a professional interest in comic books. She is the Director of the Writing Lab and adjunct faculty for the Iliff School of Theology in Denver, Colorado.

When I found one comic with a Jesus that scientists had cloned from relics, I chuckled at its clever premise. When I found the third Jesus Clone comic, I realized that something had to be going on. As a biblical scholar with professional interests in comics, I had come upon one of those ideas that will not let me go.[1]

I find that Jesus Clone reflects an anxiety about human control and biblical promises in a underexplored corner of U.S. popular culture. There are other thinkers who linger over questions about the worth of popular culture and comics in addressing such ideas, but I am convinced that these comics, and others like them, offer insight into how people conceive of and combine elements from science, religion, and imagination to make sense of our world. These comics bring emotion and narrative to our effort to sort our identity as a species.

Human beings are having a geological effect on the planet we inhabit.[2] Once we allow ourselves to conceive of our role in climate change, we humans have to make sense of the control we have on the planet. Control that was once seen as solely divine is all too human, often with stomach-churning consequences. We have agency, but what have we done with it? What’s there to do when science pronounces planetary doom and religion is seen to falter when asked to answer? Why, combine the two! Bring the Second Coming with Science!
Continue reading Cloning Enchantment: Jesuses After Climate Change

The Martian Chronicles of Julian Darius, Part III

MARTIN COMICS #5In this third and final installment of our discussion with Martian Comics creator and Sequart Organization founder Julian Darius, we discuss characters’ vs. readers’ vs. believers’ perspectives on Jesus and Paul, as well as the future of his series and any relationship it might have to real-world religions dealing with extraterrestrials.

S&S: I wonder: Of all the stories in this issue, “What Has Athens to Do with Jerusalem?” features the titular Martians the least, perhaps only in reference to the Athenians “Unknown god […] a placeholder the Athenians use, knowing their knowledge of the gods to be limited.” Do readers know from “Ezekiel” (and “The Galilean” and “Lazarus”) what it is the Athenians don’t, namely that aliens have had an influence in the spiritual affairs of humankind? Is this the manner of answer that Lazarus is seeking?

JD: I love that you saw a connection between the Unknown God and the Martians. That’s not my own primary reading, but it’s there. It follows, once you connect this story with “Ezekiel” — the Martians are, in a sense, an unknown god to the Greeks. And you’re right that they don’t know about Martians, any more than the ancient Jews did. There are other Martian stories to come that kind of play with this same sort of thing, in which humans sort of realize there are forces or divinities out there, beyond their ability to understand. So that’s definitely there, and you’re smart to pick up on it, but to me, that’s a layer, rather than the primary meaning.

Paul cites the “Unknown God” in Acts. There’s a historical dispute as to whether it really existed or not, or to what extent. Was there a temple to the Unknown God? Was there a statue or monument? From what I’ve read, some think yes, some think no. If I remember correctly, Paul only mentions an inscription to the Unknown God, and there’s some ambiguity about what he’s referring to. But it’s a wonderful concept, this polytheistic statement of humility. I suppose you could see it as a parody of polytheism — “We hope we didn’t leave anyone out!” And it is that. But it’s also this wonderful admission, by the smartest city around, that yeah, we don’t know anything. Here’s a monument to that idea. Wow.

I was always fascinated by the Unknown God. As a kid, I thought it was funny that Paul said he was going to tell people about it, because this frames his god in the context of Greek polytheism. Saying that, you’re essentially saying that you’re going to add a god to the Greek pantheon. You can’t say this and then preach monotheism, really. It’s at least very disingenuous. It wasn’t until studying Greek history in college that I began really appreciating the humility of the concept and how it fit into the Greek philosophical outlook. So I love the Unknown God concept and this story from Acts, and I included it on that basis. It illustrates more the difference between Paul’s arrogant “you’re ignorant!” preaching and the nuances of Athenian philosophy.

But yeah, you’re totally right: you can look at the Unknown God and think, “Yeah, they don’t know about the Martians, who played the role of God to Ezekiel.” And who were behind Jesus in the series. Continue reading The Martian Chronicles of Julian Darius, Part III