Following our year-end listing of the top new stories in 2019, the question arose as to what were the top overall postings in 2019. That is, what were the most-read articles, regardless of what year they were published.
So, to satisfy curiosity, here are Sacred and Sequential‘s most-read pages over the course of 2019:
Review – Toscano and Hartmann-Dow’s The Amazing Adventures of the Afterbirth of Jesus
More Than You Ever Wanted to Know on Black Panther and Religion
[Part Two of “What Makes a Scholar’s Pull-List?”]
American historians sometimes call the waves of religious fervor in the 18th and 19th century our country’s “Great Awakening.” It is a powerful image–convinced that God’s spirit was calling Christians to renew their commitments–Americans flocked to open-air revivals to hear fiery sermons by orators like George Whitefield. Among the innovations of this era was what would become evangelicalism, that variety of Christianity that emphasized the individual, emotional “born again” experience of admitting one’s sinful nature and accepting Jesus’ offer of redemption.
Why this historical introduction? I have tried to consider various explanations for how my assortment of monthly comics came to be. Are my subscriptions simply the products of obscure personal quirks? Am I distracted by certain styles of art or attracted to certain writers? No matter how I tried to explain why I had certain comics on my list to be set aside monthly when they arrive, I found that the list defied me.
Continue reading Religious Revivals and the Great Awakening of Religion & Comics
Around this time last year, S&S’s own David McConeghy penned a compelling piece for Sacred Matters on the integration and, arguably, augmentation of H.P. Lovecraft’s Cthulhu gods in the narrative structure of Mike Mignola’s Hellboy — the comics series, its spin-offs, and its cinematic adaptations.
McConeghy hails this aspect of the Hellboy franchise in saying:
[I]t is foremost a comic that embraces the gothic as Lovecraft did in the interwar years in New England. The comic delights in paranormal abilities that connect to worlds beyond our own. It celebrates the prophetic as a link to authentic religious pasts long forgotten. It satisfies our desire to live in a demon-haunted world but feel protected by honorable, if flawed, guardians.
Part of Hellboy‘s success, he suggests, is Mignola’s employment of Rudolph Otto’s mysterium tremendum es fascinans, “the mystery that both repels and attracts us.” The titular hero of Hellboy is a product of that same dark mystery he both seeks to confront and defend us from: “Thank goodness for Hellboy,” acknowledges McConeghy, showing the fictional character’s engagement with a fictional religion as compelling stage for real-life religiosity.
Those who study comics are often avid consumers of the medium. How do I select comics for myself? I cannot read or afford everything. Nor is every comic equal in my eyes as an object of study. What does my list say about me? Or about comics today?
This post and my next outline my pull-list as an extension of my scholarly interests. These items suit my eclectic tastes, but they also identify several trends in recent publishing themes (especially from Image). I could say that the Gods Have Returned, but that seems overly simple. As A. David Lewis’ recently released American Comics, Literary Theory and Religion makes the case for the centrality of the superhero afterlife, I think there’s a broader case to be made for the emergence of religious themes as the narrative choice of the day. The gods have returned, yes, but we’re also going to hell (Hellboy in Hell), heaven/hell (The Life After), and bringing all of the spirits along for the ride (Wytches, Wayward, and Hexed). It’s a veritable Great Awakening out there, readers.
Here’s what my physical list looks like. It is surely missing at least another half-dozen titles I’m currently vetting for their pull-worthiness. This is from my local comic shop in Irvine, California:
As you can tell, my love for Image’s title selection is literally overflowing. I shun the conventional superhero titles from DC and Marvel. (I read the latest Thor but I have recently dropped Ms. Marvel when it became apparent that her religious identity was becoming more gimmick than substance and when Marvel decided her character would be crossing over into multiple other titles.) For clarity this makes my list:
See if you can imagine what drives this diverse collection. Continue reading What Makes A Scholar’s Pull-List? Part 1
A very amusing Gutters webcomic on the (temporary) death of Hellboy:
Hellboy creator Mike Mignola has said, “this isn’t the end of Hellboy, both the character and the comic, even though he’s now dead.” Still, funny, funny stuff from The Gutters.
